The thesis focus on Haydn’s string quartets, start from its structure and texture, research its development based on the background of conversions of western music style from polyphony to homophony, carve up the phases according to the character of structure and texture.
本文以海顿的弦乐四重奏为研究对象,以作品的结构和织体为切入点,将海顿的弦乐四重奏放在西方音乐从复调到主调转变的历史背景中进行研究,根据结构和织体的特点对海顿弦乐四重奏的发展过程进行阶段划分,归纳各个阶段的特征。
The characteristics of Handel s cantata are expounded,such as,libretto and subject matter, the grand style,chorus and duet,and the tendency of homophony,in order to make people realize his important status and influence in art history of music.
介绍了亨德尔清唱剧创作的背景,阐述了亨德尔清唱剧的唱调和题材、宏伟的风格、合唱与重唱及主调音乐倾向,使人们了解其在音乐艺术史上的重要地位和影响。
Taking the differences between the main God images of China and Greece as the point of departure,the paper establishes a relevant connection between God image and self-consciousness and proves that the development of "Three Images of God" is a reflection of "Three Selfs" of self-consci.
以中国、希腊神话的主调神象差异为视点、架构起"神象与自我意识"的关联规律,即神象"三像"的变更是人类自我意识"三我"演进的自画像,并以此为理论尺度,可使"主客合一"与"主客二分"的中西文化品质在中希两族主调神象的"异位"中得到满意的诠释。
The author researches on the Bach s compound music from three parts: many sounds intension, the rhythm s no discontinuity and the simplicity, the difference between his compound music and key music.
从和声内涵、旋律的不间断性和单纯性及复调音乐与主调音乐的区别三个方面研究了巴赫的复调音乐 ,阐明了复调音乐的特征。