This paper has mainly told how to direct against its characteristic while the result picture is made and improve the dynamics,precision and speed of the result picture synthetically.
本文主要讲述了在效果图制作过程中如何针对其特点,综合提高效果图的力度、精度和速度。
The article discussed its entirety characters, as well as its title, touching, timbre, tempo, pedal, and dynamics.
文章对它的整体性、标题、触键、音色、速度、踏板、力度等进行了研究。
According to the characteristics of rotating fingers,we should first know and master the basic skills and requirements of the movement of fingers;second, we must pay attention to the clarity of the points and the balance of the strength,that is to say,we should control the spee.
按照轮指演奏的特点 ,首先要了解并准确掌握轮指时手指运动的基本要领和要求 ;其次 ,必须重视和掌握轮指点子的清晰和力度的均匀 ;第三 ,控制轮指速度做到该快则快 ,该慢则慢。
Objectively,speed,strength and expression marks show only a vague scope,leaving great space for people to understand the work.
客观上,速度、力度和表情记号只是一个大概的范围,为人们理解作品留下了极大的空间。
Owing to the roughness of notations and the properties of clavichords in the time of Baroque,modern players find it hard to handle the strength and style when playing the music on modern pianos,even making mistakes and feeling lost.
音乐史上的巴洛克时期键盘音乐由于其记谱法的粗略和古钢琴的乐器性能,导致现代演奏者难以在现代钢琴上把握其乐曲的力度和风格,甚至迷茫和错误演绎。
The article uses the music score andrelative background materials for reference; compares the six persons playing Mozart s 10th piano sonato in terms of timbre,speed, power and the way of playing grace notes etc.
本文以音乐作品的乐谱及其相关背景资料为参照,通过音色、速度、力度以及装饰音演奏法等方面对霍洛维兹、古尔德、阿劳、黑布勒和希夫演奏的莫扎特第十首钢琴奏鸣曲(K330)音响版本进行比较分析,为音乐表演美学的理论研究提供实践基础。
In order to strengthen the power of refutation,it is necessary to master some methods.
为了加强反驳的力度,掌握一定的方法是十分必要的。
First, it possesses the color s character of block print in woodcut with more contrastion, more cold color and depressed aesthetic feeling; Second, it possesses the force character of block print in woodcut that the depiction of environment and personage are powerful and profound everywhere and wi.
《野草》作为其“写心之作”,亦呈现出一些与木刻版画一致的审美特征:一是具有木刻版画的色彩特征,多对比、多冷色,有阴郁的美感;二是具有木刻版画的力度特征,环境描写、人物刻画处处刀锋毕现,道劲有力,有一种“力之美”。
In the art of erhu playing , the variety of force seems the rhetoric skill in the literary language as the sound acuracy and rhythm seem the grammaticale cratical role.
在二胡演奏艺术中 ,如果说音准、节奏相当于文学写作上的语法规则 ,那么力度变化就好似文学创作语言中的修辞手法。
It inquired into the expressing form of the factors of metre,velocity,dynamic,time etc.
运用文献资料法、专家访谈法和录像观察法等,对长拳演练节奏的概念进行诠释,探讨了节拍、速度、力度、时间等因素在长拳演练节奏中的表现形式及特征。
First, there are "agogic accent" and "tonic accent" in meters instead of "dynamic accent".
中国传统音乐在音量方面的特点有三:其一是在节拍方面不出现“力度重音”,只有“时值重音”和“音高重音”;其二是不强调力度对比和强弱的变化;其三是在表演方面“以弱取胜”,从而达到“静”、“虚”、“淡”、“远”的审美效果。
This thesis is a study of the music dynamic and structure and their relationship.
本文是对音乐的力度、音乐的结构、音乐的力度与结构之关系的研究。
The Solution of Business Bribery: Its Depth,Limitation,Force and Extent;
治理商业贿赂:深度、限度、力度与广度
Of or relating to variation of intensity, as in musical sound.
力度变化与力度变化有关的，如音乐力度的变换
We must knock ourselves out to get through the difficulty.
须竭尽全力度过难关。
The degree or angle of torsional stress.
扭力的强度，扭力的角度
The 2 dimensionalities are motivation dimensionality and ability dimensionality;
两个维度是动力维度和能力维度；
density-dependent pressure gradient
与密度相关的压力梯度
coefficient of kinetic viscosity
动力粘性系数，动力粘度
elastodynamic stress-intensity factor
弹性动力应力强度因数
Beneficium competentiae
能力利益，能力限度照顾
temperature-stress-strain diagram
温度-应力-应变图
absorption strength
吸收强度, 吸收力
normal pressure and temperature
额定压力及温度正常压力和温度
A Probe Into the Speed and Speed Endurance Through the Biochemical Basis;
从生化角度探讨速度及速度耐力训练
To exert(oneself) too much; overtax.
用力过度，用力过猛使（自己）用力过度；使负担过重
Torque is a measure of the ability of an applied force to produce a twist.
力矩是作用力产生扭转能力的量度。
The dimension of study ability contains the ability of attention and the ability of thinking.
学习能力维度包含注意力和思维能力 ;
EPDC (Economic Power Dispatch Computer)
经济电力调度计算机
Diameter, Tolerance and Tensile Strength
直径，公差及拉力强度