The thesis focus on Haydn’s string quartets, start from its structure and texture, research its development based on the background of conversions of western music style from polyphony to homophony, carve up the phases according to the character of structure and texture.
本文以海顿的弦乐四重奏为研究对象,以作品的结构和织体为切入点,将海顿的弦乐四重奏放在西方音乐从复调到主调转变的历史背景中进行研究,根据结构和织体的特点对海顿弦乐四重奏的发展过程进行阶段划分,归纳各个阶段的特征。