Why have "Yi" and "Yuan" become the ultimate style of Chinese painting? Xu Fuguan made a Xin Xing Xue study on this problem and accounted that it was the practice of Zhuanzi spirit in painting.
“逸”和“远”作为中国绘画的最高风格是如何可能的?徐复观通过对此问题的心性学考察,认为这是庄学精神逐步在绘画中落实的结果。
On the basis of full documentary information,this thesis studies the original meaning of the word "distance",and then analyzes the influences of metaphysics as well as criticism on persons in Wei and Jin Dynasties to the nature and connotation of "distance",so as to discover the developing process of the word "distance" from the area of semantics to that of aesthetics.
中国传统山水画的诞生与"远"观念有着紧密的渊源和联系,从语义学、哲学、美学以及画学的角度逐渐展开,试图探究"远"观念影响下山水画的产生的内在精神因素。
Wang Yuyang posed an aesthetics program whose center is "Distance" in the first period.
第一个时期以作者二十四岁时的《丙申诗序》为标志,提出了以"远"字为中心的美学纲领,可以称为萌芽阶段。
On the basis of full documentary information, this thesis studies the original meaning of the word "distance", and then analyzes the influences of metaphysics as well as criticism on persons in Wei and Jin Dynasties to the nature and connotation of "distance", so as to discover the developing process of the word "distance" from the area of semantics to that of aesthetics.
本文在文献材料基础上采取融通综合的方法，探究了“远”的本义，分析了魏晋玄学、人物品藻对其性质、内涵的影响，揭示了“远”从语义学范畴转变到美学范畴的发展历程。