The paper expatiates on bamboo weaving skill such as materials,weaving met hods,postwoking, showing the aesthetic traits and artistic form.
竹编工艺是我国一项优秀的传统手工艺，它与社会活动紧 密相连，体现了用与美的统一，特别是在绿色设计、生态经济中具有特殊的地位，需要我们 重新定位与再认识。
From the perspetive of the history of bamboo weaving technique, the paper expounds the naissance of bamboo animal weaving and the craftsmen’s continuing research, practice, exploration and creation in re- spect thereof based on the former experiences.
从竹编工艺的历史阐述了竹编动物的诞生以及竹编艺人在前人经验的基础的不断研究,实践、探索与创新,从实用到精湛的历程。
From the history of bamboo weaving art in China and from point of view in human civilization, thevarieties of bamboo products and their role in innovation for enterprise development are mentioned in the paper.
从中国竹编艺术的历史,和为社会带来人类文明的角度阐述了竹工艺产品的种类以及创新在企业发展中起的作用。
According to the status of bamboo resources in Sichuan province and experience obtained inproduction practice in recent years, this paper verifies market potential of bamboo woven products,as well asexpounding the role bamboo woven products play in removing poverty in rural areas.
根据四川省竹类资源的状况和多年在生产实践方面的经验,证实了发展竹编工艺品的市场前景很好,并对竹编产品在农村脱贫致富中所起的作用进行了阐述。
In recent years innovation, new technology of bleaching and flower ribs added, make bamboo vase colorful and develop school of one's own.
近年来 ,竹编艺人们不断探索 ,不断创新 ,增加了漂白、花筋等新工艺 ,把竹编花瓶装扮得多姿多彩 ,它在众多材质制成的花瓶中独树一帜。
Analyzing product added value and the present situation of Dongyang bamboo handcraft, this article points out the problems of bamboo handcraft industry, and gives some rational proposals for the increase of product added value and the improvement of brand effect.
东阳竹编是我国传统工艺品中的一朵奇葩,但在社会发展的新阶段遭遇困境,因此探讨如何提高东阳竹编在现代经济社会中的应用价值非常具有现实意义。
Linking of the reality, I have selected Chengdu Bamboo over porcelain as the research object so as to manifest bi.
在导师的指导下,经过近两年的时间对传统手艺的市场调查,结合实际,选取成都瓷胎竹编作为研究对象,以小见大,有个别到一般,从对瓷胎竹编的创新体验上升到对传统文化如何发展这一问题的理论认识高度。