Talking about the Formation and Evolution of the Concept of "Wen" and "Zhi";
论“文”“质”概念的形成及演进
The Way of Thinking and Location of Aesthetics of Xunzi s Wen;
论荀子“文”的思想理路及其美学定位
The Constructive Significance of "WEN" in Wenxindiaolong Literary Criticism;
《文心雕龙》论“文”的构成论意义
From a comparative perspective,it is realistically significant for the construction of the modern literary theories to sort out the historical evolvement of relations between the two and to probe into the origin of the notions of wording and quality,different orientations in China and the West and the .
文与质是中国传统文论话语中的一对诗学范畴。
This paper attempts to study Zhou Bangyan s poems and article.
周邦彦作为北宋著名词人,其词作一直是研究中的重点,而其他文学作品则处于被忽视的地位,本文对周邦彦的诗文从内容题材、艺术风格、思想性三个方面进行探讨,以期能够全面了解、评价周邦彦的生平、思想以及创作。
All articles spring from Tao" is Zhuxi s famous proposition on writing.
“文皆是从道中流出”是朱熹的著名文论命题。
On the other hand, Chinese poetry has a close bearing on the ideas of prose in Chinese culture.
中国诗学源于以天文学为中心的博物学,这决定了诗主达性情之类说法历史追问深度的不足,也决定了从语源追索诗义和诗体内涵的必要性与可能性。
Li ao was an important ideologist and a master in ancient Chinese prose in the Tang dynasty.
李翱是唐代重要的古文家和思想家,作为“韩门弟子”的代表,倡文以致用,从空言明道走向参预政治,干预生活,此乃理当;尚栽道——“周公孔子之道”,此乃义深;崇文章的意新,语奇,此乃词工。
The "text" obtaining an aesthetic value is a historical process.
“文”获得审美意义是一个历史过程。
This articls aims at examining the similarities and differences between artistic and cosmic creation in the Chinese and Western cultural traditions in order to discover models of artistic creation in these different cultural contexts.
检讨中西方文化传统中创世说和创作论的异同,寻求不同文化框架中不同的创造模式。
This paper mostly studies on the pleasure of text that the ideologist Roland Barthes has produced in France.
本文主要是对法国思想家罗兰·巴尔特的“文之悦”进行论述研究。