In recent years,watercolor painting has advanced in China by leaps and bounds.
通过比较水彩画、水墨画在工具和材料及表现手法上的相似之处得出结论:水彩画是一种适合表现东方自然环境的画种,水彩画作为西方的一种艺术形式很容易为我们所接受,它在我国具有较大的发展空间。
Chinese watercolor painting is the artistic form coming from the west, which was certain to be influenced by and shocked by traditional Chinese culture.
中国水彩画作为从西方传入的艺术形式,来到中国后就必然受到中国传统文化的冲击和影响,这种现象在早期的中国水彩画艺术中表现得尤为突出。
Fashion of Watercolour Painting and the Sustainability of Its Development;
水彩画的时尚及时尚性发展的可持续性
In the perspective of the history of watercolour painting and the development of its artistic language,we can conclude that overemphasis on the artistic language will be an obstacle to the development of watercolour painting.
从水彩画的本体语言以及水彩画发展的历史来看,过多地强调本体语言将成为水彩画发展的桎梏。
On the Effect of the Texture on Watercolor;
试谈肌理在水彩画中的运用
Cultural Revolution is special period for the development of Chinese watercolor,it has distinctive art feature and of great value in history of Chinese watercolor.
"文革"时期的水彩画具有鲜明、深刻的无产阶级政治内容和崭新、独特的革命艺术风格,是进行思想和政治路线教育的有力武器,充分体现了"艺术服务于政治、文艺是政治的宣传工具"这一新中国的文艺方针。
As one of the independt paintings, watercolor never stops widening in its theme and style.
水彩画作为一个独立的画种,在题材、风格上不断拓宽,新的表现手法和表现媒介材料层出不穷。
We have long viewed water color painting as a small subentry.
长期以来在水彩画的创作与教学过程中,人们习惯于将水彩画看作小画种,过多地把它作为训练色彩与造型的手段,忽略了水彩画艺术的本质。
As one independent painting form,water color painting comes from the West,its history can be traced back to European Renaissance.
水彩画是广为普及的一个画种。
The poetic mood and the poetic language are the manifestation of the poetic charming of water color painting.
水彩画的诗意性表现在水彩画具有诗一般的意境和诗一般的语言 ,它与诗有着相似的审美效应。
Girtim,British artist,created watercolour with a modern meaning.
具有现代意义的水彩画 ,始点当首推英国画家格尔丁。
1、Beginning with the figure of speech of‘lyric poetry’for watercolour, this thesis inquires into the interlinked artistic conctption between poetry and painting and the causes of poetic quality’born in watercolour works.
1、本文从水彩画的“抒情诗”之喻谈起,讨论诗画关系的意境会通及水彩画中“诗意”产生的原因。