In the different editions of the current music theory teaching books,the principles of halftone and full tone are not unified,in particular the definition of halftone and full tone.
当前不同版本的乐理教程中,关于半音、全音分类的原则不够统一,特别是关于变化半音、变化全音的定义往往各执己见,莫衷一是,有的乐理教程还提出了“全音不分自然和变化,半音在十二平均律中也不分自然和变化”的观点。
This article, by analyzing the characteristics and the technique, reveals the semitones, sonority, texture and micropolyphony in the work.
本文主要探讨该作品中体现出来的半音化、音响效果机械化和模糊化、网状织体及微复调写作技术等几个特点。