Plot Recomposing and Image Reshaping——On the Function of the Theatrical Cultural Conversion in the Process of revising a Novel into a Drama;
情节重组和形象重塑——论戏剧接受小说过程中的文化转换功能
Relationship between dramas and movies from the classic movie theory;
从经典电影理论看戏剧与电影的关系
The Influence of the Fictitious existence in Drama to the Movie and Animation;
试论戏剧的虚拟性对影视动画创作的影响
On the Characteristic and Influence of Russian Play Design;
俄罗斯戏剧舞台美术设计的特点以及对中国影响
The development of Zhaojun s image in the history of play and its enlightenment;
戏剧史上昭君形象的演变及启示
Developing Guilin tourism program of acrobatics and opera;
桂林地方曲艺、戏剧旅游资源的开发思考
The rapid development of movies and television networks as new media has made powerful impact on world dramas,particularly the traditional Chinese operas.
作为新传媒的电影和电视网络的迅速发展,在世界范围内造成了对舞台戏剧特别是中国传统戏曲的强大冲击。
Animal totems take the main position in early exorcism ceremony,along with the evolvement of this ceremony,the Nuo ceremony transform to Nuo opera.
云南双柏小麦地冲彝族以虎为图腾,其虎傩也经历了由图腾祭祀到戏剧雏形的转变,现今虎舞中的请神、酬神、送神保留了虎傩的文化痕迹,而表演性的生产舞蹈则属于戏剧的雏形,展现的是人性的娱乐需求。
On absurdity of Guan Hanqing s plays;
略谈关汉卿戏剧的荒诞性
On Shakespeare s succession and surpassing of the Greek classic plays;
论莎士比亚对古希腊戏剧的传承与超越
Eco-consciousness is prominent in Chekhov s plays.
契诃夫戏剧作品中蕴涵着丰富的生态思想。
N4A launched rich and varied theatre activities in Anhui.
新四军在安徽开展了丰富多彩的戏剧活动,组建了剧团,进行了广泛的演出,创作了大量剧本。
This paper, by discussing the theatrical theory and Edward Gordon Craig, a British drama theorist, actor and director, evaluates his position and role in British theatre, and points out that some of his ideas are still of value to today s theatre.
讨论了英国戏剧理论家、演员、导演爱德华·戈登·克雷格的艺术理论与实践,客观评价了他的地位和作用,指出他的观点在今天仍然有可资借鉴之处。
This paper examines the current paradigms of innovation on contemporary Hong Kong theatre, and attempts to situtae Hong Kong theatre in its proper cultural and historical context.
本文主要探讨香港当代话剧的三种演出的创新手法 ,并确立香港话剧在当代华文戏剧中的定位和其贡献。
The Research of "Drama" Magazine in the Ara of Populace Drama Mass Organization;
民众戏剧社时期的《戏剧》杂志研究