Androgyne, Rebirth, Mandala;
双性同体、重生、曼荼罗
Meantime,the authors explain the whole city pattern implies the Mandala model of Tibetan Buddhism by researching Tibetan Buddhism in early Qing Dynasty and by comparing with the Sangye Temple that constructed according to the Tibetan Buddhism philosophy.
同时剖析了清代沈阳内城外廓的整体形态与藏传佛教曼荼罗的吻合,并通过对清前期对藏传佛教的推崇与由曼荼罗思想建立的西藏桑耶寺的形态分析来进行论证,以此来理解老沈阳城市格局的独特艺术特征。
Although it originated from the Mandala of ancient India,the spatial pattern of Angkor is in its own characteristic.
柬埔寨王国的古都吴哥的建筑艺术是高棉文化艺术的典型代表 ,其空间图式虽然源于古印度的曼荼罗 ,但又具有其自身的特点 ,同时也与北京的空间图式有着一些显著的区别。
Yaeko Momota and Her Emotion and Sentiment in Chinese Passing-down Mandala
百田弥荣子与中国传承曼荼罗情谊、情趣
The Dravidian language of the Tamil.
泰米尔语泰米尔人所讲的达罗毗荼语
The Dravidian language of the Gonds.
冈德语冈德人的达罗毗荼语
A member of any of the peoples that speak one of the Dravidian languages, especially a member of one of the pre-Indo-European peoples of southern India.
说达罗毗荼语的人说任一种达罗毗荼语的人，特别是指印度南部前印欧人成员
The principal Dravidian language of Mysore, a region of southern India.
卡纳达语印度南部一地区迈索尔的主要的达罗毗荼语
Ethnic Composition: a mixture of Sinhalese, Dravidian, Arab and Black.
民族：（斯里兰卡）僧伽罗人、（印度的）达罗毗荼人、阿拉伯人和黑人的混合民族。
A Dravidian language spoken in the state of Kerala on the Malabar Coast of southwest India.
马拉雅拉姆语印度西南马拉巴尔海岸的喀拉拉邦所使用的一种达罗毗荼语
Interpretation on The Illustrations to Vaisravana and The Mandala with Eight Yaksas inside Cave 5 of The East Cave of Thousand Buddhas at Anxi County;
安西东千佛洞第5窟毗沙门天王与八大夜叉曼荼罗解说
Both the deity, which resides at the center of the mandala, and the mandala itself are recognized as pure expressions of the Buddha'''' s fully enlightened mind.
双方的神,在曼荼罗中心居住,而曼荼罗它本身都被认为是佛完全受启发的头脑纯粹的表达。
an incarnation of Lord Vishnu and the eldest son of King Dasharath of Ayodhya,
罗摩就是阿尤迪亚的国王毗湿奴和他的长子达诗赖斯王的肉身。
In Hinduism, Parashurama ("axe-wielding Rama") is the sixth avatar of Vishnu, and a son of Jamadagni.
在印度教，持斧罗摩是毗瑟奴的第六个化身，杰玛达尼的一个儿子。
The Mandala - Sacred Geometry and Art
曼荼罗——神圣的几何图形和象征艺术
The artists begin at the center of the mandala and work outward.
艺术家从曼荼罗中心开始及往外工作。
An interpretation of the representations of the mandala with Vairocana and the Eight great Bodhisattvas at Dunhuang Grottoes(Part Ⅰ)
敦煌石窟八大菩萨曼荼罗图像解说(上)
"Hallohesh, Pilha, Shobek,"
哈罗黑，毗利哈，朔百，
There was once a time that venues such as those were my mandala halls!
过去有一段时间，那些场所曾经是我的曼荼罗场！
COMPARISON BETWEEN THE SPATIAL PATTERN OF ANGKOR AND BEIJING;
“曼荼罗”的两种诠释——吴哥与北京空间图式比较
Supplementary notes of the presentations of the mandala with Vairocana and the Eight Great Bodhisattvas in Cave 25 at Yulin Grottoes
榆林窟第25窟八大菩萨曼荼罗图像补遗
Yaeko Momota and Her Emotion and Sentiment in Chinese Passing-down Mandala
百田弥荣子与中国传承曼荼罗情谊、情趣