The Function of Imagination in the Development of the Earth Scientific Theory;
想象在地球科学理论发展中的作用
The Fundamental Approach towards the Construction of Aesthetic Utopia——on Herbert Marcuse s Imagination;
构筑审美乌托邦的根本途径——论马尔库塞的“想象”
Beginning with the relationship between cartography teaching and thinking in images paper discussee how to train the abihty of thinking in images in cartography teaching from four aspects of increasing the accumulation of images,making clear the mode of thinking,developing the ability to imagine and learning the basic knowleege well.
从制图教学与形象思维的关系入手太丰富表象储备、明确思维模式、发展想象能力及学好基本知识等4个方面论述了制因教学中如何发展形象思想能力。
The history that he relates is "a person s history",which is what he experiences,imagines and makes up,and which is also a history of life for each hero.
他笔下的历史是"一个人的历史",是苏童个人体验到的、重组的、想象的、虚构的历史,也是故事中每个人的生命史。
Based on analysis of these conditions,the author discussed the procreative process of ethnic groups consciousness,mostly starting from cognition means of ethnic groups consciousness imagined being possible,and the state manufacture.
安德森认为,时间认知的转变、认知手段的产生与社会条件的具备是族群作为一种想象共同体得以产生的基本条件。
Research in presentational ability training of image movement during the calisthenics teaching;
想象运动表象技能训练在健美操教学中的运用
The Cultural Imaging of Western Image in the Chinese Western Film;
中国西部电影西部形象的文化想象
This thesis applies post-colonial theories and literary image studies to the images of China in modem Japanese literature.
绪论部分简要介绍了本课题的国内外研究史和本论文的构思;第一章中分析明治年代日本作家笔下游移于经典文本和现实之间的中国形象;第二章提出大正年代的日本作家将中国看作日本的“东方”的观点,分析大正日本文学中的“支那趣味”,大正年代的日本作家在中国寻找怀旧情绪和异国情调,但是随着对中国现实了解的加深,他们对文本中国的美好想象逐渐破灭;第三章指出昭和初年日本作家对以“魔都”上海为代表的中国予以关注,尽管其中明显有所误读,但是近代中国形象在这一时期开始得到认真的建构;第四章分析了日本无产阶级文学中“革命的中国”形象;在第五章分析了“战争文学”中“‘空白’的中国”形象;结论部分以“古代中国”与“近代中国”为关键词,对日本近代文学中的中国形象做了纵向线索梳理和理论的说明。
This article, based on the aesthetic apperceive, aesthetic imagination and aesthetic creativity, argues that the beauties of chemistry are characterized by conciseness, harmony and novelty.
化学科学美是指客观物质世界在化学运动过程中产生的美的属性,文章从化学科学审美感知、审美想象、审美创新三个方面阐述了化学科学美的主要特征是简明、和谐、新奇。
As the most free creatively mental representation, aesthetic imagination exists in all aspects of human being s aesthetic activity, especially in the fields of art and science.
审美想象作为一种最具自由品格的创造性心理形式,广泛存在于人类的一切审美活动之中,尤其是在艺术和科学领域。
Tales of A Lonely Studio acquire more readers because of its aesthetic imagination,On the coutrary , Sketches of Yuewei Humble Cottage is not as good as the former because of its excess rational care.
但是两者的审美想象和理性观照之差异较为突出,《聊斋志异》用审美想象征服了读者,而《阅微草堂笔记》却因过多的理性观照稍逊风骚。
Discussion on the imagination in Kant s a transcendental deduction;
论康德A版先验演绎中的想象力
U.S.A. is a Freedom Game of the Imagination——A Brief Discussion of "Analysis of U.S.A" and "Criticized of the Judgement" by Conde;
美是想象力的自由游戏——康德《判断力批判》之《美的分析》浅识