audience involvement in a play

基本解释戏剧悬念

网络释义

1)audience involvement in a play,戏剧悬念2)idea on drama,戏剧理念3)drama ideas,戏剧观念4)The concept of Drama,戏剧概念5)Newest Play Theory,全新戏剧理念6)integrated drama concept,整体戏剧观念

用法和例句

Through textual reading on The Irish Dramatic Movement, the author analyzed Yeats idea on drama and its historical meaning.

本文通过对《爱尔兰戏剧运动》的文本细读来分析叶芝的戏剧理念及其历史内涵。

Modern newspapers and magazines promote the change of drama ideas and become the media lands of reformed dramas.

近代报刊促成戏剧观念的变革,并成为近代戏剧改良运动的舆论阵地。

The dissertation discusses the causes about his integrated drama conception from the perspective of the history of Chinese classic drama development and Li Yu s own experience, in order to show features of his theory and conduct a general study of his drama theory with respect to the process of dra.

本文从中国古典戏剧理论发展史的角度,结合李渔自身情况,探讨了其整体戏剧观念形成原因,揭示了其理论的基本特征,并以此为出发点,按照戏剧活动基本过程这一全新视角,对其戏剧理论进行了总体研究。

On“Joining in the Fun on Occasion”and Its Theatrical Concept;

“逢场作戏”蕴涵的人生教训和戏剧观念

Hong Shen Pushes Chinese Film Forward with His Modern Theater Concept;

洪深:以现代戏剧观念推进电影发展

Study on the Written-time and the Drama Concept of Number One Scholar Zhang Xie;

《张协状元》的产生年代及其戏剧观念

On differentiation of Dramatic Ideal in Yuan Dynasty;

元代戏剧观念的创造性分化及其意义

The Art of Rifacimento and Dramatic Sense of Romantic Drama Poem of Plum Blossom;

试论传奇剧《梅花诗》的改编艺术与戏剧观念

Articles on Drama Published in Shen Bao at the Beginning of Kuang-hsu Period--Investigation into Formation of Modern Drama Concepts

光绪初年《申报》的戏剧论说——现代戏剧观念形成的考察之一种

A Combination of Commercialization and Pioneering: Decoding Meng Jinghui s Dramatic Concepts in 1990s;

商业化与先锋性的合谋——解读1990年代孟京辉的戏剧观念

The Idea of the Drama in Ancient China Examined at Various Levels:its Source and Course of Evolution;

中国古代戏剧观念的渊源追溯、流变检讨与层面透视

On the Concept of Hallucination and Theatricality In the History of Theatrical Performance;

戏剧演出史上的幻觉性与剧场性观念

The concept of “great drama” and a prospect on drama of 21st century--An interview with Prof Zhou Huabin;

“大戏剧”观念与21世纪戏剧前瞻——访中国传媒大学周华斌教授

Why is Copenhagen not be a Concept Theatre?

《哥本哈根》为什么没有成为一出观念戏剧

Probe into the Vicissitude of the Outlook on Historical Literature From the Teleplay Series of"Playful Interpretation"History;

从戏说类电视历史剧看历史文学观念的变迁

Conceptual drama and realism--On J-P-Sartre’s Διρτψ Hαυδσ;

观念戏剧与现实主义——评萨特的《肮脏的手》

On the Idealistic Turns and Theoretic Innovation of the Drama Criticism of the Yuan Dynasty;

论元代戏剧批评的观念转捩与理论创获

On Mr.Huang Zuolin’s "View on Drama of Depicted Desires";

论黄佐临先生的“写意戏剧观”——为中国话剧百年纪念而作

On Brecht s Theatrical Creation Ideology;

论德国戏剧家布莱希特的戏剧创作观

The Classical Sources, Humanism and Modern Ideas in Renaissance Play;

论文艺复兴戏剧中的古典源流、人本精神和近代观念

The Embodiment of Christianity s Concept-Unity of Good and Evil in Shakespeare s Plays;

基督教“善恶一体”观念在莎士比亚戏剧创作中的体现

最新行业英语

行业英语